Should forms be part of Taekwondo at the Olympics?

Taekwondo has been an Olympic medal sport since the 2000 Sydney games. It is the second East Asian martial art to be introduced to the Olympic Games – the first being Judo. In 2020, at the Tokyo Games, Karate will be the third East Asian martial art to be included in the Games.

At most non-Olympic Taekwondo competitions, there are a variety of events: sparring, tag-team sparring, forms, team forms, board-breaking, and sometimes even musical forms. In the Taekwondo at the Olympics, there are only sparring events – sparring being one of the better spectator sports. However, when Karate joins the Olympics, there will be both kumite (sparring) and kata (forms) events. This leads me to ask: should there also be forms events for the Taekwondo at the Olympic Games?

Firstly, the Olympics are odd in how they include East Asian martial arts. It’s odd to include only Judo, Taekwondo, and Karate, and not so many of the other equally-valid East Asian martial arts, such as Kendo or modern Wushu. The Olympics are, of course, originally a European tradition, which is why they include so many of the traditional European sports, such as javelin, discus, shot put, the triathlon, and the pentathlon, but if East Asian martial arts are going to be included, why only those three? And given the similarity of Taekwondo and Karate, why is Karate only being included in the Olympics 20 years after Taekwondo?

Part of the reason for this may be which sports and events are best for spectators. Taekwondo and Karate are similar, so will spectators want to watch both? And this may also be part of the reason why forms are not part of Olympic Taekwondo. Sparring is faster and more explosive, so more exciting for spectators to watch. It’s also easier to understand – whoever lands the most shots (generally) wins. With forms, however, unless you have some training in Taekwondo, it’s difficult to know when watching a form whether it’s been performed well or not.

However, if forms are being included in the Karate events, then there’s no reason why they can’t be included in the Taekwondo events. Also, since forms are part of every other Taekwondo competition, and the Olympics are supposed to be the ultimate world competition for the sports that are included, then there should be forms events in the Olympic Taekwondo. As for making the forms events interesting for spectators, that’s what commentators are for – commentators are experts on the sport who guide the audience through what’s happening.

So I think that forms should be included in the Taekwondo at the Olympics. They show a different set of athletic abilities to sparring – jumping reverse turning kicks are rarely used in sparring, but they are difficult to perform well and spectacular to watch. Kukkiwon recently announced the development of ten new forms specifically to be used for competitions, and they are notably ‘flashier’ than the other Kukkiwon forms (and than most other forms in Taekwondo), with more kicks and kicking combinations, and more complicated kicks. Perhaps these forms were designed to be more exciting to watch, and thus designed to be used at an Olympic Taekwondo forms event.

The Gungmu Forms

In 2014 I published a book titled Taekwondo Forms. The aim of the book was to document a wide variety of forms in a consistent style, making it easy to compare and reference those forms.

The book covers most of the forms from four major styles of Taekwondo. There are, however, forms from those styles and others that are not covered by the book. Among those not included is a series of forms known as the ‘Kuk Mu’ forms, which are reportedly practised by students in some Cheongdo-kwan Taekwondo schools.

The Kuk Mu forms are very obscure. Online, there are only a few references to these forms – there are a few websites listing the movements of the forms in English, and there are a few videos on YouTube showing the forms. In printed materials, I have so far only found two references to the forms. Importantly, one of them is Son Deok-seong’s book: Korean Karate. Son Deok-seong was the successor to Li Won-guk, who established Cheongdo-kwan. Son Deok-seong’s books are therefore quite significant in Cheongdo-kwan Taekwondo, and the appearance of the Kuk Mu forms in Korean Karate confirms that they are part of the Cheongdo-kwan style (even if they are not practised by or known to a large number of students in that style).

The hangeul for Korean terms is rarely given online, and even in textbooks on Taekwondo it is unusual to see, and the hangeul or hanja for ‘Kuk Mu’ are not given in Son’s book. In Korean Karate, however, and in many places online, the meaning of the name ‘Kuk Mu’ is said to be ‘national art’. This means that the first syllable is 국 國 guk – meaning ‘country’, ‘land’, or ‘nation’ – and the second syllable is 무 武 mu – meaning ‘war’ or ‘martial art’ (which is also the bu from 武道 budō, and the wu from 武术 wǔshù). Because of the pronunciation changes that take place in Korean, these two syllables together should be romanised (and pronounced) gungmu (in the Revised Romanisation of Korean). This is the correct writing of the name of the form, and is what I will use everywhere else in blog posts and books that I write. (Though perhaps the most helpful spelling of the name is kungmu (the spelling in the McCune-Reischauer Romanisation), which will most closely approximate the pronunciation for non-hangeul readers.)

Most descriptions of this series of forms agree that there are five forms in the series. In Korean Karate, only two Gungmu forms are listed, but Korean Karate specifically does not list all of the forms practised in Cheongdo-kwan – higher level forms in particular are omitted from the first book. Some higher forms are listed in Black Belt Korean Karate, but only four, and none of them are Gungmu forms. Given that black belts normally have more than four forms to practise, it seems likely that there are more forms that were not added to Black Belt Korean Karate either.

Beyond that, most video sources and written descriptions seem to agree on what the movements of these forms are – this could be because of a limited number of practitioners in Cheongdo-kwan, and so a limited potential for variation.

The Gungmu forms need to be written about and analysed more. They are only described in a few places, and many of those descriptions are idiosyncratic, and not detailed enough.

A list of websites that give information on the Gungmu forms

(I would not consider all of these to be reliable and authoritative – some of them are and some of them aren’t)

  1. http://www.martialtalk.com/threads/classic-tkd-forms.69720/
  2. https://sites.google.com/site/cdktkd/forms
  3. https://sites.google.com/site/sdkoreankarateclub/forms/kuk-mu-1
  4. http://www.kidokwan.org/about/korean-martial-art-kwans/chung-do-kwan-%EC%B2%AD%EB%8F%84%EA%B4%80-%E9%9D%91%E6%BF%A4%E9%A4%A8/chung-do-kwan-forms/
  5. http://bluewavestl.com/forms-videos/
  6. http://livingstonkarate.com/training-aides/formskata/kuk-mu-1/
  7. https://www.taekwondoforums.com/threads/chung-do-kwan-patterns.897/